Anne-Marie 的歌聲超powerful (聽Alarm就知道),是我近期喜歡的女歌手之一

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萬事皆醜陋    唯有親情最美麗

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"I smiled back at Charlie and I knew that the hopes of this whole human world could fit inside one soul. This is a good trick. This is called, globalisation—Little Bee
這是一本頗具深度的書
不只探討了全球化以及英國難民尋求政治庇護的問題
也描繪了人性的脆弱及勇敢
難能可貴的是,兩位主要女性narrator的背後發言人竟是一位關懷人性的男作家Chris Cleave
你敢不敢用一根手指,來交換陌生人的一條性命?
也許,你並沒有你想像中的那麼「善良」!

不敢用一根手指交換陌生人的一條性命的安德魯最後上吊自殺
敢用一根手指交換陌生人的一條性命的莎拉捐出了她的手指也讓小蜜蜂有機會看的見未來
全球化(globalization)到底對這個世界造成什麼影響?
我喜歡小蜜蜂的定義
"我覺得大家你殺我我殺你,可是卻聽同一首歌。...這個世界還真會開玩笑...誰都看誰不順眼,可是誰都喜歡U2"
我想我知道今年Christmas要教同學那一首歌了
One - U2
Is it getting better?
Or do you feel the same?
Will it make it easier on you now?
You got someone to blame
You say
One love
One life
When it's one need
In the night
One love
We get to share it
Leaves you baby if you
Don't care for it
Did I disappoint you?
Or leave a bad taste in your mouth?
You act like you never had love
And you want me to go without
Well it's
Too late
Tonight
To drag the past out into the light
We're one, but we're not the same
We get to
carry each other
carry each other
One
Have you come here for forgiveness?
Have you come to raise the dead?
Have you come here to play Jesus?
To the lepers in your head
Did I ask too much?
More than a lot.
You gave me nothing,
Now it's all I got
We're one
But we're not the same
See we
Hurt each other
Then we do it again
You say
Love is a temple
Love a higher law
Love is a temple
Love is a higher law
You ask me to enter
But then you make me crawl
And I can't keep holding on
To what you got
When all you've got is hurt
One love
One blood
One life
You got to do what you should
One life
With each other
Sisters, brothers
One life
But we're not the same
We get to
Carry each other
Carry each other
One...
One...
extended version
Can You hear us coming Lord
Can You hear us call
Feel us knocking
We're knocking at Your door
For more information:
1. http://en.wikipedia.org/wiki/The_Other_Hand
2. http://www.ipeen.com.tw/i/%E3%80%90%E8%A9%A6%E8%AE%80%E3%80%91%E3%80%8A%E4%B8%8D%E8%83%BD%E8%AA%AA%E7%9A%84%E5%90%8D%E5%AD%97%E3%80%8B%E3%80%80Chris%20Cleave/comment/174722
3. http://www.youtube.com/watch?v=ftjEcrrf7r0


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The Bottom Line


Spectacular rain forest combat scenes are non-stop in an authentic-feeling actioner recounting an aborigine rebellion in 1930s Taiwan



 


Taiwanese action saga tells the true story of Taiwan’s aboriginal people who were almost wiped out by Japanese colonizers in the 1930s.



Stunning to look at, authentic to a fault and a little tedious to follow for over two and a half hours, the Taiwanese action saga Warriors of the Rainbow: Seediq Bale tells the true story of Taiwan’s aboriginal people who were almost wiped out by Japanese colonizers in the 1930s. Their rebellion under the leadership of Chief Mouna Rudo is recounted in a spectacular, almost non-stop sequence of grisly hand-to-hand combat scenes. No martial arts here, but skillfully realistic fighting with spears and machetes, guns and cannons, which spare no one. Outside of China and particularly Taiwan, where a longer version will be released in two parts, this big-scale actioner coproduced by John Woo will check in as a strange sort of exotica for very specialized audiences, read festival and serious action fans. 


Taiwanese writer/director Wei Te-Sheng, known for his top-grossing 2008 hit Cape No. 7, throws a bit of legend and magic into history as seen through the eyes of the proud insurgents, whose abject humiliation and descent into alcoholism under the arrogant Japanese provide many parallels to other stories, like the Native Americans. He has assembled an extraordinary cast of emotionally expressive, non-pro actors of aborigine descent, and watching their displays of physical prowess as they run barefoot through tropical forests is half the movie.


In lieu of the usual opening titles, the action begins as China hands Taiwan over to the Japanese in 1895. In the remote mountainous interior, aboriginal tribes of Seediqs still lead a traditional life, hunting for animals, warring with neighboring clans, head-hunting and tattooing their faces as a sign of initiation into manhood. Wei pulls no punches on the toughness of the chief’s arrogant son Mouna Rudo (played by Da Ching as a youth and Lin Ching-Tai as an adult), while extolling his fearless heroism in hunting and killing. Rather than conventional sympathy, viewers are made to feel respect for a man dyed in tradition.


When the tribes are at last contained by the Japanese army, who view them as savages and set out to “civilize” them with schools and post offices, they sink into wage slavery and alcoholism. During this interlude in the film’s battle scenes, Mouna Rudo secretly organizes the surviving Seediq clans in an uprising of 300 warriors. On a sports holiday, they stage a surprise massacre of the assembled Japanese which Mouna calls “a blood sacrifice to our ancestors” that includes abundant decapitation. In the guerrilla warfare that follows, the forest-wise Seediqs do serious damage to the Japanese army, until the generals call in airplanes, cannons, mortars and gas bombs to subdue them (the year is 1930.)


No matter how ingeniously it is varied, the non-stop fighting becomes oppressive in the long run. The film’s most memorable moments showing director Wei’s dramatic flare and the actors’ surprising natural talent are quieter moments: the suicide by hanging of the Seediq women who kill themselves rather than be a burden to their fighting husbands, and the extremely moving deaths of a mixed Japanese-Seediq family.


The action is set in the spell-binding Avatar-land of Mount Chilai and its lush rain forest, where waterfalls and rainbows, narrow paths and the ancient trunks and giant trees are embellished with bright green CGI work.


There are many standouts in the huge cast, from the fierce traditionalist Lin Ching-Taiin the leading role, to young Lin Yuan-Jieas an unstoppable boy warrior. Their tattoos, clothing and singing and dancing lend the film a stamp of authenticity. Dialogue is in Seediq and in Japanese.


Venue: Venice Film Festival (competing), Aug 31, 2011.
Production company: ARS Film Production, Central Motion Picture Corporation
Cast: Lin Ching-Tai, Umin Boya, Ando Masanobu, Kawahara Sabu, Vivian Hsu, Lo Mei-Ling, Landy Wen, Da Ching, Pawan Nawi, Yakau Kuhon, Lee Shih-Chia, Lin Yuan-Jie.
Director: Wei Te-Sheng
Screenwriter: Wei Te-Sheng
Producers: John Woo, Terence Chang, Jimmy Huang
Director of photography: Chin Ting-Chang
Production designer: Taneda Yohei
Music: Ricky Ho
Editors: Chen Po-Wen, Milk Su, Cheung Ka-Fai
Visual Effects: Foo Sing-Choong
Action Choreographers:  Yang Kil-Yong, Shim Jae Won
Sales Agent: Fortissimo Films
156 minutes.
Source: http://www.hollywoodreporter.com/review/warriors-rainbow-seediq-bale-venice-230239

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每個人都有需要被治療之處

Directed by
Andrea Martínez

Written by
Andrea Martínez

Release date(s)
2008

Country
Mexico

Language
Spanish

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有人說這是青少年學習英文的寶典
可是對我來說作者的創意及無厘頭真的讓我佩服到一個極致
或許我是女生
不知道當我只想跟同學聊聊八卦逛逛街時
同年紀的男生卻每天想著要如何過精采有趣的刺激生活
好精彩的中學生活啊~我會說!
不要把它當成英文書來看,你會學到更多英文~
BTW, wimpy means 懦弱的,無用的,哭哭啼啼的
這樣你大概知道這傢伙會做出甚麼事了吧~



活到第八天的蟬比第七天就死去的蟬可悲嗎?
雖然它與其他的蟬不同
但"它卻比可以看見別的蟬無法看到的東西"
這是我看的第一本日文翻譯小說
看到書名時本以為只是夏日浪漫純情小說
可是我錯了而且錯得離譜
真覺得自己無知

希和子與有婦之夫秋山相戀,有了身孕,遭秋山哄騙墮胎後,卻發現秋山之妻懷孕產下女嬰。希和子原本只是想潛入對方家中,看看女嬰的樣子,卻因為看到嬰兒清澈純真的眼睛注視著自己,和那無邪的笑容,再也放不開她溫暖的小手,最後決意擄走她,想永遠保護她。希和子替女嬰取名薰,自此展開逃亡。她心中的母愛愈生愈大,只能不斷捏造故事,閃避旁人的好奇,逃出警方的搜捕線。唯有扭曲現實,她才能逃、甚至活下去。沒有血緣關係的希和子與薰,漸漸發展出親密的母女關係。冬去春來夏又至,蟬聲唧唧,猶如希和子心中的紛擾。她們的二人生活會怎樣開展?是否終究像短命的蟬,轉瞬即逝?

  蟬在土中七年,破土而出後卻只能活七天
  但若有一隻蟬跟夥伴不一樣,獨活了下來
  那麼她感到的是孤獨的悲哀,還是看到嶄新風景的喜悅呢?


  一個鑄下大錯的女人
  一個尋找自我的女孩
  孤注一擲的愛譜出了命運二重奏(以上摘自博客來)
雖然我還沒有當媽媽
但我一想到希和子在被警察抓走的哪一刻依舊牽掛著孩子還沒有吃早餐
我竟然起雞皮疙瘩
生育之恩固然偉大,但養育之恩卻更如山之高海之深
當我們在想為什麼我們是生在這個家而不是生在別的家
我們所看到的只是我們自己的需要跟慾望
不要再想:為什麼是我?
而是要試著放開這疑問
放開,心會更寬
人性的複雜果真連上帝都傷腦筋
男人不壞女人就不愛嗎?
都是選擇
自己覺得的幸福不需要別人來貼標籤
天使之家的天使們到底是天使還是惡魔
如果這世界就只有女人是否欺騙跟不忠都不會發生
很多事似乎無法用道德標準來判斷
但~對錯的標準又在哪?
在讀的過程當中
或許投射
或許衝擊
內心一直激動

好久沒有這麼令我感動的書了
P.S. 一次推薦兩本不代表我很閒
on the contrary
代表我真的很久沒有po文了


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  • May 10 Sun 2009 18:15
  • 回家



        

 

「妹妹,回家了。」


「不要,我還要跟姊姊玩。」


「回家媽媽會準備蛋糕給你吃喔!


「嗯,媽媽那我跟你回家。」



 




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因為瑞典人每三個人就有一人擁有

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本來只是因為要出題到英文版的yahoo查一些英文用語,沒想到一連到首頁就看到了這個: 美國史上最暢銷的單曲。請注意喔~是英文的!

http://new.music.yahoo.com/blogs/yradish/29728/biggest-selling-singles-in-the-united-states
文章中說到,排名第一名的本來應該是Elton John為了紀念黛安娜王妃所唱Candle in the Wind(風中殘燭)(最近有人用這個來形容台灣的前第一夫人,我整個覺得很不恰當。他們倆個真的是差很多的好不好?)。只是因為這首歌無法scream到網站上供聽眾聽,所以最後被剔除在決選榜單外。這首歌單曲唱片總共在美國賣了over 11 million copies,也就是說台灣每兩個人就有一個人有買。

榜單上正式的第一名是貓王Elvis Presley的歌,叫做"A Little Less Conversation" ,第二名"Here Without You" by 3 Doors Down"(ICRT很常撥),這兩首歌大概各賣了六百萬張。

下面是Biggest Selling Singles In The United States:

   1. A Little Less Conversation - Elvis Presley     
   2. Here Without You - 3 Doors Down (深情款款此情永不渝的情歌,我喜歡)   


   3. Another One Bites The Dust - Queen   


   4. Apologize - Timbaland (純情男對絕情女的心聲,我很喜歡)  


   5. (Everything I Do) I Do It For You - Bryan Adams   


   6. Hey Jude - The Beatles (經典,充滿父親對兒子的愛,我很喜歡)


   7. Hound Dog/Don't Be Cruel - Elvis Presley   


   8. I Will Always Love You - Whitney Houston   


   9. Let's Get It On - Marvin Gaye   


   10. Low - Flo Rida (我的手機現在還有這首歌,我超愛)  


   11. Macarena - Los del Rio (我年輕時很喜歡)  


   12. Ridin' -  Chamillionaire   


   13. We Are The World - USA For Africa (獻給衣索比亞的難民,不喜歡會被說沒有良心)


   14. Whoomp There It Is - Tag Team  



聽西洋音樂長大的我其實只聽過2, 4, 5, 6, 7, 8, 10, 11, 13, 14,自己有買過的只有Whitney Houston的I will always love you 跟 Los del Rio的Macarena。台灣人似乎沒有什麼買單曲CD的習慣,因為覺得一首歌就要一百多塊,倒不如買整張三百多比較划算。這也就是為什麼美國會有單曲CD銷售量的統計而台灣沒有。
說也奇怪,貓王我們比較熟的歌像是Love me tender及Can't help falling in love都沒有在榜單上。我想可能是因為沒有發單曲的關係吧!


BTW, 如果你到剛剛連結的網站上,你會發現我們無法聽到播放器所放出來的音樂。那是因為Rapsody這個網路播放音樂軟體只能在USA使用,所以有興趣的人還是到我們的好朋友Youtube去聽吧!


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